Flemish Baroque Era Painter, 1599-1641 Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck's studies in oil of characterful heads were included in Rubens's estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses,  Related Paintings of Dyck, Anthony van :. | Selbstportrat als Paris | Family Portrait | Head of a Robber | Marchesa Cattaneo with a Servant | Cupid and Psyche (mk25) |
Related Artists:
LAMA, Giulia
Italian painter, Venetian school (1681-1747).
Hans von Marees
(24 December 1837 - 5 June 1887) was a German painter. He mainly painted country scenes in a realistic style. Von Marees was born in Elberfeld, Germany. At age 16, he was sent to the Berlin Academy. In 1857, he moved to Munich. In 1869, he visited France, the Netherlands and Spain. He served in the Franco-Prussian War (1870-71) and then lived in Berlin and Dresden for a while. In 1873, he decorated the library walls of the newly built Naples Zoological Institute in Italy. The next year, he moved to Florence. He died in Rome at the age of 49 and is buried in the Protestant Cemetery there.
Lesser Ury
1861 - 1931 was a German Impressionist painter and printmaker. He was born Leo Lesser Ury in Birnbaum, the son of a baker whose death in 1872 was followed by the Ury family's move to Berlin. In 1878 Lesser left school to apprentice with a tradesman, and the next year he went to D??sseldorf to study painting at the Kunstakademie. Ury spent time in Brussels, Paris, Stuttgart, and other locations, before returning to Berlin in 1887. His first exhibition was in 1889 and met with a hostile reception, although he was championed by Adolph von Menzel whose influence induced the Academie to award Ury a prize. In 1893 he joined the Munich Secession, one of the several Secessions formed by progressive artists in Germany and Austria in the last years of the 19th century. In 1901 he returned to Berlin, where he exhibited with the Berlin Secession, first in 1915 and notably in 1922, when he had a major exhibition. By this time Ury's critical reputation had grown and his paintings and pastels were in demand. His subjects were landscapes, urban landscapes, and interior scenes, treated in an Impressionistic manner that ranged from the subdued tones of figures in a darkened interior to the effects of streetlights at night to the dazzling light of foliage against the summer sky. Ury is especially noted for his paintings of nocturnal cafe scenes and rainy streets. He developed a habit of repeating these compositions in order to sell them while retaining the originals, and these quickly made and inferior copies have harmed his reputation.